reissue

ltd coloured

dungeon dabke sounds from susu laroche - a french-egyptian multi-disciplinary artist who has had previous collaborations with klein, oxhy, blackhaine, nkisi, flora yin-wong & mica levi to name a few

early 70s philadelphias funk

repress - tyrone davis was a hugely prolific blues & soul singer who was born in mississippi in 1937. he started his career as blues legend freddie king’s personal chauffeur and valet and cut a few soul 45’s that didn’t make too much noise at the time. a few years later things had turned around for young tyrone and he’d caught the ear of chicago music impresario carl davis who had just set up his own label - dakar records. having worked with legendary outfits including the chi-lites, bohannon, jackie wilson and many more, carl davis was exactly the link that tyrone needed to gain more exposure for his music. after a very successful career with dakar and almost 25 singles with the label across 7 years, tyrone signed to major columbia which is where, in 1978, this much sought after promo-only disco jammer came from. released in limited quantities and only available as a columbia white-label dj promo “get up (disco)” is a total mid-tempo burner, raw funked-out soul of the highest degree! true underground disco flavour here, one for the freaks, smooth, but heavy enough to cause some serious damage in the dance. featured here in it’s original promo 12- mix, untouched and backed with the equally dope “in the mood” from 1979. some of you will undoubtedly recognise “in the mood” as a jam that was heavily sampled by the beatnuts, faith evans, mc eiht, redman and more! this one’s a low slung, lights down lovers jam and the perfect foil to the a-side. two heavyweight jams on one 12”, remastered from the original source material and 100% legit, reissued with the full consent of sony / columbia records. essential for all disco / soul / funk fans.

repress - clara and armand made their first tracks for the retirement of the librarian from their art school in paris. beginning the collaboration which brought them to post a few tracks on soundcloud and a first single «prettiest virgin» in april. the silky and roaring voice of clara mixes perfectly with armand’s drum machine and those 90’s keyboards. hammering with acid bass, the tandem brings us to an «early warp» sound between daniel maloso, black devil disco and ariel pink. «cardan» ep is a journey into a fantasy of america, but also into a world of synthesis where nothing is clear, all our orientations are scrambled. nobody has control. the virgin forget herself, the princess is drowning but the parrot knows everything.

incl their 70s mega hits next door to alice, lay back in the arms of someone & for a few dollars more !!

with the following release, the scandinavian brings a mystical sound reminiscent of the past times of the vikings. the opening track does not come in the classic 4 to the floor robe, the title creates with the brute drum beats and classic acid elements a rhythmic entry into the ep. while listening, the imagination of a cold, merciless and raw dystopia is awakened to the listener. niclas erlandsson manages to create a lot with few elements and brings a serious industrial sound to antimodus.

the fourth release of selva discos is one that has been bursting audiences into flames for a good while. barbatuques, a well-known brazilian group of body percussionists, adapted -baiana&#769,,,,,,,,,,,,- back in 2005 (first released on the -o seguinte e&#769,,,,,,,,,,,, esse- album) and since then it became a staple of their concerts, getting crazy reactions from the children to the elder, being featured on soundtracks and sampled by trap duo tropkillaz. the original is a modern folk song from bahia composed by maria do carmo barbosa, but it was the mouth harp sound and the stomping beat on the barbatuques arrangement that imprinted its trademark sound - like the first lightning strikes before the storm. a couple of years ago, jan schulte, the german producer known for his taste for tropical drums (and also for using a few different aliases), heard the song and decided to add an extra punch to it for his dj sets: more drums, taken from a library record of -drumdrops- (hence the title). in his appearance at 2017 s dekmantel boiler room stage as bufiman, he dropped it to the crowd s awe, and it s been like that wherever its played - believe it, it s been tested all around. so now for the first time -baiana&#769,,,,,,,,,,,,- is issued on vinyl. it marks the second volume of the brasingles series, a new series on selva discos dedicated to releasing loud 12- singles with the original song on the a side and a rework on the b side, to please both the dj and the listener.

now close your eyes, pause quietly for a few moments, and be here now. attune yourself with yourself and the universe and, so, with all of us. if you are moved by the spirit, thank you for sharing the spirit with us

2x12 inch gatefold lp

repress - part 2 of 5 to be released over the coming couple of months. originally released on the phono label in 1995/96 the ‘parts’ series from matthew herbert are a much loved collection of house tracks that sound just as original and bold today as they did when they were first released. this series of 12”s were part of an early wave of exploratory dance music that paved the way for the deep house that still works its magic on dance-floors in 2018 some 25 years later. the mix of herbert’s playfulness alongside expertly grooving production and unusual sounds makes this unique collection of work. the odd few tracks aside this is the first time that these releases have ever been repressed. all newly remastered for this reissue series, the releases include stone cold club classics such as ‘deeper’, ‘take me back’, ‘resident’, ‘people that make the music’ and ‘see you on monday’.

incl earth boys, family of few, dummy head, karim

the classic studio one soul compilation from soul jazz records is now available in a new edition on black double vinyl with download code included.

2nd album by above & beyond! 15 tracks on double vinyl.

rawax welcomes silat beksi to the artist family! we are very happy to have this great talent finally on our imprint.

cover not mint - vinyl unaffected. played by chris liebing, charles (technasia), dj emerson, perc, adam beyer.... with his new ep for clr, alex bau proves once again how efficiently the bass drum, interlinked with only a few sounds, can discharge in a roaring inferno.

repress 2022 , beautifully designed 2lp ... when recondite, aka lorenz brunner, emerged with his debut lp for acid test (2012s on acid), we were still learning about the german producers inward- looking dance floor sound. a few years later, his sinewy jams have proved near universal like an underground zelig, hes fit perfectly everywhere from rødhåds dystopian to ghostly international and innervisions. acid test also allows recondite the chance to indulge his more outré tendencies and a welcomed return it is.

brill 90s sound, aim 2 pleez was a label made primarily for n-zo & dj invincible to have an outlet for jungle in the early days of the genre but they definitely leaned more towards the more musical side of the sound. the label didn t last that long but the end result is that the few releases on the label are now very sought after, fetching absurd prices on second hand, and this ep is in particular demand. they are two tracks of immense proportions, that not only appeal to the junglists but to breakbeat hardcore lovers alike. a proper crossover ep that has stood the test of time, sounding just as fresh today as it did back in 1994!

sound track

baltimore based duo matmos interpolate, edit and manipulate music originally made by polish polymath boguslaw schaeffer. limited prerssing on purple coloured vinyl with download code included.

baltimore based duo matmos interpolate, edit and manipulate music originally made by polish polymath boguslaw schaeffer. the black vinyl lp includes a download code.

its been already 10 years of innocent music? for this special 10 years label anniversary occasion aney f. prepared his debut album (2x12 double vinyl) with 12 new tracks in collaboration with various singers like celeda, louise carver, elliot chapman, mz sunday luv and much more! release will be officially out vinyl and digital in march! in the past 10 years aney f. traveled all over the world from whole europe, north - central & south america and all over to australia! his & innocents production has been played by all the big players in the game like marco carola, richie hawtin, jamie jones, steve lawler, stefano noferini to mention a few and this is definitely not the last we hear about his music!

ultra limited! only a few copies , not possible to guarantee 1 per customer - 1 st come 1 st serve

part 1 of 5 to be released over the coming couple of months. originally released on the phono label in 1995/96 the ‘parts’ series from matthew herbert are a much loved collection of house tracks that sound just as original and bold today as they did when they were first released. this series of 12”s were part of an early wave of exploratory dance music that paved the way for the deep house that still works its magic on dance-floors in 2018 some 25 years later. the mix of herbert’s playfulness alongside expertly grooving production and unusual sounds makes this unique collection of work. the odd few tracks aside this is the first time that these releases have ever been repressed. all newly remastered for this reissue series, the releases include stone cold club classics such as ‘deeper’, ‘take me back’, ‘resident’, ‘people that make the music’ and ‘see you on monday’.

2022 re-issue, 140g vinyl, mastered with audio from the original tapes

promo , edits, mega-mixes, the record pools, white labels, acetates, reel to reels. all of the above were the weapons of choice for the disc jockey s of yesteryear, utilising these tools helped various luminaries pave the way for where we are today on the modern dance-floor. those secret mixes, private versions and edits of the hottest disco jams that only the select few had access to could make or break a dj s reputation in the clubs and on the streets. it is within this world that the for discos only label operates, sourcing the finest underground edits and mixes for the discotheques. we carefully hand pick and dig for obscure or forgotten versions of the best tracks that may have been previously out of reach for the majority, inviting the hottest editors and mixers to open up their archives and share their secret weapons with us all via the medium of the 12- record.

repress , strong contender for dance record of the year- red rack’em’s incredibly wonderful and fantastically wonky, disco banger, was rereleased on classic this year. after a few months of slowly embedding itself in people subconscious, it returns with new mixes. first up in the marvellously talented kink - strahil is no stranger to classic, having made a stamp on the label many years ago with his remix 3rd face. he s gone from strength to strength with his productions which have been accompanied by his glorious live performances. kink goes in, heads down with some proper techno wonk. this is indeed a beast. on the flip luke solomon joins forces with bristol’s very own eats everything and lord leopard, creating a bristol “circle of three.” the luke eats leopard edit adds a slight bit of conformity to the drums and the arrangement, without taking out too much of the wonk but taking it ever so slightly into “house “ territory. overall this is a monstrously wonky package - and just in time for xmas too.

fourth part of the convey series from overdraw.

limited repress! amazing micro and minimalistic house jazz album. be fast on this one. a full-length album by ohm hourani that travels long the didactic path of modular synthesizers and drum machines, while in the company of carefully hand-picked musicians and vocalists. this seven-track lp delves into the unpredictability of two musical worlds: electronic and jazz. beginning with the intricate composition of the cheerful >oasis in heaven< and moving on to discover the mysteries hidden in >the bicycle tour<, the first record twists and turns into the challenging narrative of >bahe<, before saying its final few words of goodbye to >abusamir.< on the second record, >coucou< sits to script the love of life or the love of a lifetime. >happy mutek< fortifies energy new and old and escorts us to moments of alleviation. the eponymous >jazz of the machine< is the flag-bearer and ultimate demonstration of the bond between air and its reliance on the electricity of soul and souls. encasing this double record is a sleeve that features a luscious illustration by laucolo entitled >batikha.<

randy edelman’s original score for “ghostbusters ii” on vinyl lp, housed in a gatefold sleeve.

reissue, picture sleeve with insert

repress!
when bollywood meets italo. mysterious dance floor destroyer that put some parties on fire last months through the sets of job jobse, palms trax and skatebard...to name a few!

shackleton delivers the soundtrack for a mindful space trip.

small great tunes vol.1 is varied and offers a traveling dj multiple vibes to choose from. the energy on this new record takes off within the few first bars. the opening track >sport casino< by kid simius introduces a lighthearted mood and 80s synthesizers. peter lcs >sogni dinfanzia< is very likely to become the next lofi-house classic on disco dancefloors around the world. dreamy and melancholic but groovy nevertheless. the b1 track >kamal<, a collab between david silver & luca olivotto is a tasty house mood. the tune features a powerful and groovy bassline and sparkling synth leads all accompanied by rhythmic piano chords. b2 is similar to a2 in the way that its also a lofi-house track with nostalgic moods and careful sound design. with each side of the record featuring both a sunnier and a moodier track, the ep is a perfect fit for summer sets in a heated club or leisurely listening sessions on late afternoons enticing the listener to let go and bringing back memories that have yet to be created.

part 1 of remco beekwilder’s tales from tramkade trilogy.

hip hop and rnb lp

written a few years ago, black pigeon is one of fonoms first produced tracks. freshly re-mastered in 2018, the track emerges as the first release of the new producers self-run label fonos. the original engulfs in deep and dark tones with synthesizer orchestrations vividly portraying talk, communication and agonizing cry of cybernetic pigeons, while the other tracks are variations of the original as reworked by eduardo de la calle. the remixer employs jazz elements to introduce further variety of rhythm and sense of floating through time while exploring monotones, layering and space in other parts of his two remix version work with thematic hints and references to space flights aboard the >nostromo<.

repress black vinyl, b1 is vinyl only, manchester based dj & producer swales has built a dedicated following the last few years through his high energy feel good productions. the -the city ep- spreads feel good house music vibes again. the full release pays homage to house music in it’s truest sense - at once sublime, positive and meditativ.

coco bryce has carved out a big legacy in a short time, with his epic jungle workouts, varied styles and multiple releases over the last few years smashing every style out of the park. a combination of coco and kniteforce was a no brainer, and this ep is guaranteed to bend what brains you have left into shape…or out of shape. who can say?

siamese elephants from vienna / austria

2021 repress - tired of reading the words ‘classic’, ‘masterpiece’, ‘missing link’, ‘cult’, ‘seminal’ in every press release? just trust us on this one: this is the real deal. we have no choice but to use those words and urge you to (re)discover one of the ultimate afro disco lost classics. if you’ve never heard it, thank god. if you’re one of the very few connoisseurs who have, get to experience it in a carefully remastered version.

repress - pursuing their explorations in the vast corridors of international funk and disco music, favorite recordings and bruno patchworks hovart present us voilaaa. with this first single composed of 2 tracks that clearly reveal the afro-disco inspiration of this new experience, favorite also expands its new series of disco 12inch singles recently launched with several fine reissues, but this time with one of its special homemade production recipe. under the imprint of the label and after their long years of collaboration in the achievement of projects such as the dynamics, mr president, mr day, patchworks galactic project, or taggy matcher, the insatiable french producer therefore returns to his first love and specialty, disco music, staring this time at the african and caribbean influences. indeed, as everywhere in the 70s and 80s, funk and disco movements were extremely influential in these regions, and in most cases, the combination of the festive, yet sometime futile nature of disco, and the instinctive, deep, sometimes rough nature of african music, sounds like a perfect balance. aiming to find back this energy and specific sound, patchworks quickly began producing a few tracks, using his unique and ruling beats and bass lines as foundations, this time he dresses all with guitars, keyboards and brass distorted with vintage and diy effects pedals and boxes. with a very dynamic music scene around him in lyon, where there is no shortage of artists with african origins, he decided to surround himself with singers from the region, even if it means to accompany them on unusual musical paths. a more than successful bet with a result surprising of authenticity, as it’s unveiled by these first two titles alongside sir jean and pat kalla, both from a musical background as rich than different. with an album planned for the end of the year, that promises to be as explosive and magnetic, patchworks and favorite recordings make a strike again and confirm them a little more if needed, as the true warrant of the modern dancefloors loyalty, to the spirit of their mythical ancestors

to follow the success of breaka’s ‘the startup’ - the inaugural off beat release which earned support from the likes of addison groove, sherelle, minor science and sicaria sound to name but a few - label boss rhyval (one-third of off beat), steps up to deliver three cuts of fun, percussive, bass-laden heat for obr002

j rocc has been releasing the funky president edits for a few years and they always sell out upon release.

ltd gold vinyl